Jewelry styles: modern, empire, minimalism, gothic.

In the process of its devel­op­ment, any kind of art did not remain sta­t­ic and con­ser­v­a­tive through­out its exis­tence. As a result, new trends con­stant­ly appeared in music, lit­er­a­ture, sculp­ture and archi­tec­ture. Jew­el­ery, erect­ed by mas­ters whose hands can right­ful­ly be called gold­en in a direct and fig­u­ra­tive style, is no excep­tion to the rank of art.

In one peri­od or anoth­er, styles inspired by the era itself appeared, because art reacts most vivid­ly to changes in the world.
Every­one has heard the phrase that clas­sics are always in fash­ion, this can be said about jew­el­ry in style. clas­sic. If the dec­o­ra­tion is dis­creet, made har­mo­nious­ly and not over­sat­u­rat­ed with dec­o­ra­tive ele­ments, then we can safe­ly clas­si­fy it as a clas­sic.

Clas­sic style in jew­el­ry on the con­trary, it is very over­sat­u­rat­ed with ele­ments, lions, bay and oak leaves, antique masks. Here is what is char­ac­ter­is­tic of this style.

Very akin, but not iden­ti­cal, to clas­si­cal jew­el­ry in the style of empire. Prod­ucts grav­i­tate from ele­ments of the Roman and ancient Greek eras. Dec­o­ra­tions are wor­thy to adorn emper­ors and rulers, often these are whole sets of many dec­o­ra­tions.

With each new round of his­to­ry, a new style appeared.

In the Mid­dle Ages, it is born Goth­ic as an art direc­tion. Jew­el­ry in goth­ic style can be eas­i­ly rec­og­nized by the pres­ence of skulls, swords, sharp-shaped cross­es, spikes in their del­i­cate­ly stretched form.

Jew­el­ry in style baroque, unlike Goth­ic, they have a soft shape, no sharp cor­ners, this is due to the ety­mol­o­gy of the word, which in French means to soft­en. Dec­o­ra­tions become pic­turesque, majes­tic.

Jew­el­ry in style has become a rev­o­lu­tion Mod­ernwho renounced the clas­sics and intro­duced new mate­ri­als into the jew­el­ry busi­ness itself: opals, aqua­ma­rine, gar­nets — this is not a com­plete list of new com­po­nents for Art Nou­veau jew­el­ry that devel­oped in the 19–20th cen­tu­ry

The new trend in jew­el­ry fash­ion is jew­el­ry in style.
min­i­mal­ism. Their con­cise­ness and sim­plic­i­ty of forms are strik­ing and inspir­ing. The lack of detail turns the piece itself into a touch detail, lend­ing ele­gance to the image of the per­son who wears it.

A sep­a­rate sec­tion isgeo­met­ric style Jew­el­ry”. Sim­plic­i­ty and the laws of geom­e­try are what jew­el­ers are guid­ed by when cre­at­ing geo­met­ric mas­ter­pieces. All the fig­ures that you know have a place to be in geo­met­ric style jew­el­ry.

But not only the era deter­mines the style of jew­el­ry, because liv­ing at the same time, we are all dif­fer­ent in many ways, one of them is eth­nic. Each nation has had its own unique jew­el­ry in eth­nic style since ancient times. For each eth­nic group, it is its own and orig­i­nal.

A sep­a­rate motive for jew­el­ers was the sea, which rather gave a whole direc­tion such as jew­el­ry in nau­ti­cal style. Aqua­marines and images of marine life, the smooth­ness of lines and shapes, the cold­ness and depth of the prod­ucts fas­ci­nate, just like the sea itself.